Writing comedy is an art.
It’s less subjective than writing a theatre play or a short film, for example, as it always boils down to the same question:
Did it make them laugh?
Because if you can’t build your characters or your plot in a way that has the house holding their sides when the punchline strikes, you’re in trouble. And that’s why, contrary to belief, writing comedy is just as difficult as writing a BAFTA-nominated or award-winning film or drama or, yes, even a theatre play.
There is no formula that will lead to comedy gold, but there is guidance you can consider when crafting your next stand-up performance, sitcom script or radio play.
- 1 Find your ‘thing’
- 2 Do your research
- 3 Get over ‘overdone’
- 4 Create characters
- 5 Hide the exposition
- 6 Don’t shut the audience out
- 7 Stack jokes for a bigger pay off
- 8 Be deliberate
- 9 Be efficient
- 10 Find a writing partner
- 11 Embrace editing, and then edit some more
- 12 Seek feedback
- 13 Take the gigs
- 14 Read, watch and learn
- 15 Comedy writing events and opportunities
- 16 Video resources on YouTube
- 17 Best comedy writing books you should read
- 18 In summary
Find your ‘thing’
First thing’s first:
What makes you laugh? More importantly, what sort of comedy writer do you want to be? Do you find that the ‘best’ comedy is accidental, in anecdotes and everyday situations, or is it playing dress-up and telling jokes?
Before you let loose with a pen, or a keyboard, you need to find your ‘thing’. Then you can run with it. After all, starting is the first hurdle, and while some writers would say ‘Just write! Anything!’ it’s easier if you know where you’re heading.
Do your research
Struggling to find your ‘thing’? Then take a step back. Watch the stand-up performances of the comedians you love, as well as those you can’t stand, and see what it is about their performance that gets the audience chuckling.
Don’t copy them, but map out the arc of their work, analyse how they build their situations for a sure-fire pay off, and then see if you can create something inspired by their successes.
As part of your research, and as a comedy fanatic, you should attend a comedy festival or two, which will give you a chance to see numerous acts in a short space of time and feel the audience buzz. Our recommended comedy festivals include:
- Hull Comedy Festival
- Knebworth Winter Festival
- Nottingham Comedy Festival
- Slapstick Festival
- Glasgow International Comedy Festival
- Machynlleth Comedy Festival
Get over ‘overdone’
If you want to be a topical comedian, make sure you’re up-to-date on your topic and ensure what you’re doing isn’t overdone.
For example, if you see the funny side of politics and hope your audience will, too, find a fresh angle. At your next gig or festival, there might be a dozen comedians talking about politics and it’s important you don’t get lost in the noise. This doesn’t mean you can’t find inspiration in what’s been done before, just don’t repeat it.
Whether you’re writing a stage performance, sketch, sitcom or film, it’s character that audiences care about, so create characters that they can get invested in.
Although, when we say, ‘create characters‘, we don’t mean you have to be the next Catherine Tate (Lauren Cooper, Joannie “Nan” Taylor, The Catherine Tate Show), Matt Lucas (Daffyd Thomas, Bubbles DeVere, Little Britain) or Brendan O’Carroll (Agnes Brown, Mrs. Brown’s Boys). ‘Creating characters’ simply means giving the subject of your joke, or sketch, a personality. As you develop your situation, give the audience details about its subjects for a more sumptuous payoff when the punchline lands.
Hide the exposition
A ‘rule of thumb’ for all writers that you would have heard numerous times before is: show, don’t tell. When creating your situations, try to hide the exposition in the joke, or the outcome, rather than telling the audience fact after fact, as they’ll lose interest.
Situational comedy is excellent at this; for example, in Channel 4’s Peep Show (2003-2015) or The Office (2001-2003), the hilarity often comes from one character telling another about something that happened, rather than the immediate situation, and often it’s a combination of both that’ll have you chuckling.
Don’t shut the audience out
Actor and comedy writer Reece Shearsmith says: ask the question “What is the ‘thing of it’?” when writing. Establish what ‘it’ is the audience should find funny.
For instance, are they laughing at a clumsy child? An unintentionally rude grandparent? An over-the-top snob? Tell your audience who the butt of the joke is and then build the situation out from them so that your audience are ‘in on it’.
They can laugh at the situation as it unfolds, rather than having to spend precious attention span thinking about why they should find what you’ve written funny. Not all comedy needs to be immediate but, especially for stand-up, it helps.
Stack jokes for a bigger pay off
What’s one laugh when you can have them laughing again and again? Make your audience laugh continuously by ‘stacking’ jokes. For example, have a few smaller laughable moments that lead up to your big payoff rather than relying on a single punchline.
However, remember, if you’re stacking your jokes it puts more pressure on your final punchline to be gold, so you need to make it count.
Your writing doesn’t need to be a novel, but you need to be specific. For example, telling the audience that your character gets into a ‘silver Ferrari’ is better than just saying ‘car’ as it provides a better understanding of your character and allows the audience to conjure up an image.
Think: if I tell you that my character has a Prada handbag and is having breakfast in a café on a Tuesday, what does that tell you about my character? Similarly, if I tell you that my character is on a building site, scoffing a cheese and onion pasty? The more you reveal, the more ‘sucked in’ your audience will be.
The key to good writing is to say a lot without saying very much at all. Stand-up comedian Susan Calman uses the following example: “Someone came to my door last night and indicated I should answer it” is far less efficient than “Knock, Knock”. And she’s right. Less is more.
Find a writing partner
Not sure if you’re funny enough? Struggling to craft comedy that lands? Find a writing partner. By working with someone else to write, you can bounce ideas off each other and try out jokes to see what gets a laugh.
Stand-up comedian and comedy writer Holly Walsh strongly believes in the power of collaboration; it landed her a BBC3 sitcom (Dead Boss, co-written with Sharon Horgan) and a Radio 4 show (The Now Show), so it might be worth a try, even if you do have to share the pay check.
But how? First thing’s first: sign-up to Twitter and send a tweet, include #comedywriting and see how far you get. Twitter is an incredibly effective platform for comedy and writers, so try your luck.
Embrace editing, and then edit some more
You might think you have something brilliant, but everything can be made better, and that’s where editing comes in. When you look at your work, you can always improve its efficiency. Be concise, get rid of anything that’s unnecessary and pay attention to sentence structure and word order; how a joke unfolds is one of the biggest problem’s comedy writers face.
To find out more about structure and editing, read Chuck Wendig’s book, Damn Fine Story: Mastering the Tools of a Powerful Narrative.
Even if you’d rather write alone, you still need to share your material to see if other people find it funny. Therefore, establish a network of people you trust to give you honest feedback, and perhaps not all that share the same humour as you, and try your work out on them to see if it lands. And if it doesn’t, ask ‘Why?’ and see how you can improve.
If you’re writing for television, hire a couple of amateur comedic actors for the day and have them read lines to see how your words sound aloud. Do they make you laugh? You can post a call for actors on Mandy.com – there are thousands of comedic actors waiting for their big break.
Take the gigs
If you want to perform in front of people, confidence is key. Therefore, you need to take stand-up gigs, or at least find small gigs initially, and practice your material. Ideas will come to you on stage and you’ll be able to try them out, see the audience’s reaction and, if it’s good, write it down to use again. The more you perform, the more comfortable and natural you and your performance will become.
If you struggle with confidence, try a public speaking or presenting course, or even an acting class. The Stage is a fantastic online resource for finding acting classes and courses near you.
Read, watch and learn
By following each of the above, you’ll find your rhythm in no time. Although, it never hurts to find development opportunities and to watch and read writing resources, too.
Comedy writing events and opportunities
Some of the best comedy writing events and opportunities, such as competitions and meet-ups, include:
- Craft of Comedy Writing Conference – “a celebration of comedy writing, production and performance” with a variety of networking opportunities and comedy events
- BBC Writers Room – Comedy Room – an annual comedy writing competition and ‘call for submissions’ for budding comedy writers that want to write for the BBC
- Brighton Comedy Course – a variety of comedy writing courses, including online, courses for beginners and advanced lessons
- Angel Comedy School – affordable comedy courses that are run by the world-famous Angel Comedy Club, London
- BAFTA Rocliffe New Writing Competition – a world-renowned competition for budding screenwriters, including those looking to pursue a career in television comedy writing
- London Comedy Writers – a bi-monthly meetup for comedy writers, new and established alike, in London where you can network, socialise and collaborate
- The Comedy Crowd newsletter – a monthly newsletter from The Comedy Crowd with the latest comedy writing opportunities, delivered straight to your inbox
Video resources on YouTube
Learn comedy from some of the industry’s best in these online videos:
- Ricky Gervais: The Principles of Comedy
- How to make your writing funnier by Cheri Steinkellner
- How to Write Comedy – Write 15 Jokes in 30 Minutes by Jerry Corley
- The New York Times, Jerry Seinfeld Interview: How to Write a Joke
- The Formula For Writing A Great Comedy Script by Steve Kaplan
- Kevin Hart’s 3 Secrets To Hilarious Storytelling
- Talking Funny with Ken Jones on HBO
Best comedy writing books you should read
There may not be a magic formula for comedy writing, but you can pick-up some reliable tips from leading comedy writers with these books:
- And Here’s the Kicker by Mike Sacks
- The Comedy Bible: From Stand-up to Sitcom – The Comedy Writer’s Ultimate How To Guide by Judy Carter
- Poking a Dead Frog: Conversations with Today’s Top Comedy Writers by Mike Sacks
- Zen and the Art of Stand-Up Comedy by Jay Sankey
- Fart Sounds: The reason(s) why jokes are funny by Zuri Irvin
- Impro: Improvisation and the Theatre by Keith Johnstone
- What Are You Laughing At?: A Comprehensive Guide to the Comedic Event by Dan O’Shannon
- Funny on Purpose: The Definitive Guide to an Unpredictable Career in Comedy: Standup + Improv + Sketch + TV + Writing + Directing + YouTube by Joe Randazzo
Plus, make sure you read biographies by comedians, such as Always Look on the Bright Side of Life: A Sortabiography by Eric Idle and Bossypants by Tina Fey.
Like all writing, and in many cases more so, writing comedy is no easy feat.
To get started, establish what sort of writer you want to be, do your research and analyse the work of comedy writers you admire. Then, begin developing your work – but don’t copy – and find your voice.
Be sure to establish characters and build situations that have a golden ending. Be concise, show don’t tell and always take the time to edit your work, even if you think it’s ‘perfect’. Then, try it out on an audience; show your friends or family, but only those that will give you honest feedback, or hire a couple of amateur actors to act the lines with you.
Listen to feedback, be adaptable and you’ll eventually find your feet.